Easy Tilt is the definitive solution to handling the weight of traditional analogue mixing consoles that are built to last. Gone are the days of several men struggling to balance many hundredweight of mixing console onto amplifier racks. Easy Tilt not only gets the console into position quickly and easily, but provides a secure working platform for the desk while it is in use, and then just as easily puts the console back onto its wheels in the flight case when the show is over.

RME MADIface USB 24 Bit/192 KHz, 128 Channel MADI Interface

Features:

- 64 input channels / 64 output channels
- 1 x MADI I/O (optical and coaxial)
- TotalMix
- No external power supply required
- Stand-alone Mode (repeater / format converter)

The MADIface USB is a compact device that provides MADI I/O via USB 2.0 while supporting the format's full 64 channels. Its sturdy and bus-powered design makes it as easy to use as reliable in operation.

MADIface USB is therefore both MADI portability at its best as also a perfect desktop solution to connect MADI equipment to any Mac and PC.

The optical and coaxial input offer RME's Seamless Redundancy operation, switching between the two inputs in real-time if one of the signals fails. The optical and coaxial MADI outputs operate simultaneously. The user can switch between a simple mirrored output mode, or use all four inputs and outputs separately with TotalMix, a low latency 48bit internal mixer and routing matrix. In this extended mode, 128 input signals can be routed and mixed to 128 output channels, but the record/playback functionality to/from the computer stays at 64 channels.

SteadyClock as well as RME's well known MADI compatibility ensure hassle-free operation with other devices.

MIDI over MADI technology may be used to remote-control other MADI devices. DIGICheck, an included complete audio analyzing suite, supports the user under Mac OS X and Windows.

In stand-alone mode the unit automatically operates as repeater, effectively doubling the maximum cable length of 100 m coaxial and 2,000 m optical. As the inputs switch automatically, and both outputs carry the same signal, it also works as active (jitter reducing) optical to coaxial or vice versa converter.

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MADIface XT - The world‘s first USB3 audio interface

- 196 Input / 198 Output channels
- 2 x MADI I/O optical
- 1 x MADI I/O coaxial
- 2 x Analog Mic/Line Preamp Input (XLR/TRS)
- 4 x Analog Output (Main XLR + Phones)
- 1 x AES/EBU I/O via breakout cable
- 1 x MIDI I/O via breakout cable
- 3 x virtual MIDI I/O via MADI I/O

Overview

The RME MADIface XT is the world’s first USB3 audio interface - and the world’s smallest portable interface that provides access to hundreds of audio channels in such a small package. For highest usability and connectivity the XT can also be used with USB 2.0 (computer I/O limited to 70 channels). Its unique PCI Express port connects to External PCI Express cards as well as adapters to Thunderbolt, providing all the fastest interfacing technologies available for maximum channel count and lowest latency in one unit.

To bring together the most complete I/O set for live or studio usage, two digitally controlled high end mic/line preamps, two balanced line outputs and one stereo phones output are included. Full stand-alone operation with remote control over MADI plus TotalMix FX for unlimited mixing, routing and processing open an endless world of possible applications.

Features

The RME MADIface XT is capable of transferring digital audio data directly into a computer, from any device equipped with a MADI interface. Analogue sources can be connected to a stereo analog input, and 2 stereo analogue outputs add full monitoring connectivity. Installation is simple, even for the inexperienced user, thanks to the latest Plug and Play technology. The numerous unique features and well thought-out configuration dialogs put the MADIface XT at the very top of the range of digital audio interfaces.

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MADI Router - Unlimited Flexibility For Multichannel Audio

- 12 Independent MADI ports (4 x optical, 4 x coaxial, 4 x twisted pair)
- Routing of full MADI streams between all ports
- Internal MADI matrices allow the creation of 4 composed MADI streams
- On-screen routing in 8-channel groups
- Redundant power supplies
- Word Clock I/O
- RME redundancy mode support

Overview

Building on the eight year success of the MADI Bridge and the MADI Converter, RME presents a newly designed device that is a worthy successor of both - in fact, its innovative core will redefine and inspire MADI systems for years to come.

The MADI Router is a compact device designed to link MADI devices of any manufacturer with unprecedented flexibility in signal routing. It provides this flexibility by serving as a format converter between optical and electrical signals, as a signal repeater, and as a distributor and merger of several MADI signals, all at the same time. The MADI Router combines many advantages of point-to-point audio connections, such as low latency and fast recovery time from signal line interruptions, with the flexibility of networked audio connections in which any device has access to any channel available on the network of connected devices.

At the simplest level input signals are passed on to the desired output unaltered. This type of connection is beneficial when manufacturers have embedded additional status or remote control data information in the MADI stream.

It is also possible to create new arrangements of audio channels within a MADI output stream. For this purpose four independent matrices are provided, each one reflecting 768 IN x 64 OUT audio channels. Any channel of any valid MADI input stream may be source to each crosspoint matrix. The output of each matrix can then be passed on to any of the 12 MADI Routers output.

Features

The MADI Router is designed to be simple and easy to operate. It is the only MADI routing device on the market that can be completely programmed and controlled without the help of external remote control software. In order to achieve this capability, a TFT display has been integrated on the front panel. It conveniently shows the current state of the device and leads the user through all required settings that are needed to set up a network. User interaction is conducted by four buttons and two rotary encoders surrounding the display.

The complete state of the device is saved with any user interaction (AutoSave) and automatically recalled within ten seconds after the unit is switched back on. Additionally, 15 internal presets let users save and recall, as well as preview and preselect routings.

On its back, the device provides a variety of connectors to achieve maximum compatibility and versatility for a broad range of different use cases. Four optical and four coaxial MADI inputs are accepting MADI signals at any sampling rate and channel format, the outputs carry either a refreshed or one of the four newly created MADI signals over distances of up to 200m (coaxial) or 2000m (optical).

A novelty among RME devices are the MADI TP ports. These four combined in- and outputs bring MADI to common twisted pair network cables that can directly connect MADI TP devices over distances of up to 150m while passing on power along with the MADI signals. The four MADI TP ports provide sufficient power for the AES3 and ADAT Converters.

All twelve MADI ports are completely independent but grouped symmetrically in four sections ‘A’ to ‘D’ for quick identification. A word clock input may be used as reference to any of the four routing matrices or simply be refreshed and passed on to the output. The word clock output can further provide the extracted word clock signal from any of the 12 MADI inputs.

Two redundant 100W switching power supplies provide sufficient power for the MADI Router itself plus up to eight additional passive devices that draw their power from the MADI TP connections. The AC inlets support a locking mechanism that can be used with optional AC power cords.

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Ferrofish A16 MK-II 16+16 channel AD/DA converter

The Ferrofish A16 MK-II is an extremely powerful AD/DA converter with 16 professional balanced analogue inputs and 16 outputs, as well as flexible digital I/O and an outstanding user interface. With one or more of these units in your arsenal you can easily expand your analogue I/O capacity to meet any challenge.

Digital connectivity comes in the form of an optical MADI I/O and two sets of ADAT I/O, giving you a variety of interfacing options. Attach two Ferrofish A16 MK-II's to the RME HDSPe RayDAT over ADAT for 32 channels of analogue I/O, or four to the RME MADIface USB for 64 channels of analogue I/O. Or if you really want to push the boundaries, the RME HDSPe MADI FX card can connect to twelve A16 MK-II's for a staggering 192 analogue I/O! Start with one A16 MK-II and an RME MADI interface and you’ll have a system that can grow with you.

On top of this, the A16 MK-II is equipped with two high-resolution TFT screens displaying level meters and clock status, as well as a straightforward front panel menu with input gain, output trim, routing and clock options. Comprehensive remote control software is also available that allows you to configure all these parameters over a MIDI or MIDI-over-MADI connection.

All these features open up a whole host of possibilities. MADI optical cables can be run for up to 2 km between devices and, using the MIDI-over-MADI technology, carry all the necessary control data to adjust the A16 MK-II’s internal settings from a remote computer equipped with an RME MADI interface. You could have an A16 MK-II located in the roof of a theatre, on stage, or simply in your live room – connected with a light and inexpensive MADI fibre cable. Cut down on expensive copper cables and ensure that your converters are as close to the sound source as possible.

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The SB168-ES is an EtherSound compliant 16in / 8out 3U Stagebox. It can be used with LS9, M7CL and PM5D consoles. Multiple units can be combined to make larger systems. Ethersound is an extemely low latency transmission protocol that enables muliple digital audio channels to be distributed along with control signals on CAT5e cabling. The SB168-ES has 16 high quality head amps which are controllable remotely from the console. Shipping now.

The MY16-ES64 is a 16 channel Ethersound master card. It provides both remote head amp control along with 16 bi-directional channels of 24-bit digital audio at 48kHz over a single CAT5e cable. Expansion up to 64 channels is possible with MY16-EX cards depending upon the console model. Recommended for use with consoles deployed with the Yamaha SB168-ES stage box system.

The MY16-EX is an expansion card which may be used with an MY16-ES64 to provide a further 16 channels of Ethersound capability. Multiple MY16-EX cards can be fitted to remaining slots for 32, 48 and 64 channel systems depending upon console model.

MY Card Support for Plug-and-play Dante Digital Audio Networking

- 16 IN/16 OUT operation at 48 kHz, or 8 IN/8 OUT operation at 96 kHz, with high 24-bit resolution.
- Automatic discovery and setup for network devices. Devices names can be specified as required.
- Advanced network synchronization technology achieves low latency, low jitter, and high sample precision. Latency can be selected from four preset values: 0.15 ms, 0.5 ms, 1.0 ms, or 5.0 ms.
- More than 16 audio channels can be transferred when used with a standard network switch. No additional equipment is required for redundant connections.
- Allows direct PC or Mac audio input and output without the need for an audio interface.

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Inheriting the unprecedented sonic quality of the PM5000, an eight-channel analogue-to-digital converter supporting sampling rates of up to 96 kHz and Head Amp Remote Control from the DM2000 and DM1000. A new AD converter combining unparalleled sound quality with a host of innovative functions.

The MY16AE Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels of simultaneous AES/EBU-format (D-sub 25 pin) I/O via a single expansion slot. All 16 channels can be used independently at sample rates up to 48-kHz or the MY16AE card can be used for "double channel" connection to 96-kHz recorders providing 8 channels of I/O at 88.2 or 96-kHz.

The MY16AT Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels of simultaneous ADAT-format (optical) I/O via a single expansion slot. All 16 channels can be used independently at sample rates up to 48-kHz or the MY16AT card can be used for "double channel" connection to 96-kHz recorders providing 8 channels of I/O at 88.2 or 96-kHz.

Main features include -
-16 Channel I/O CobraNet™ interface
-Integrates into any standard CobraNet™ network
-Primary and secondary network connections (RJ45 connectors x 2)
-Reduced power consumption for compatibility with additional models

The MY16TD Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels of simultaneous TDIF-format (D-sub 25 pin) I/O via a single expansion slot. All 16 channels can be used independently at sample rates up to 48-kHz, or the MY16TD card can be used for "double channel" connection to 96-kHz recorders providing 8 channels of I/O at 88.2 or 96-kHz.

The Yamaha MY4AD provides four 24-bit analog inputs on XLR connectors. Designed for use with 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000, 02R96 as well as Yamaha digital mixers.

The Yamaha MY4DA has four 20-bit analog outputs on XLR connectors. Designed for use with 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000, 02R96 as well as Yamaha digital mixers.

Offering 8 channels of analog input plus 8 channels of analog output in a single-slot card, the MY8-ADDA96 has been specifically designed for use with Yamahas DME24N or DME64N Digital Mixing Engines, but is an excellent I/O expansion choice for Yamaha digital mixing consoles. In addition to full 96 kHz support, the MY8-ADDA96 features Euroblock connectors for optimum reliability and connection ease in a wide variety of installations.

The Yamaha MY8AE is a D-Sub 25 pin connector Interface card designed for use with the 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000 and 02R96 and other Yamaha digital mixers.

Main features -
-Eight-channel AES/EBU digital format I/O
-25-pin D-sub connector
-Supports sample rates of up to 96 kHz

Main features -
-Eight-channel AES/EBU digital format I/O with sample rate conversion
-25-pin D-sub connector
-Supports sample rates of up to 96 kHz

Main features -
-24-bit, 96 kHz eight-channel line-level analog input card
-25-pin D-sub connector
-Individual Gain Switches per Input Channel:
+18dB - Max Input Level Before Clip: +18dB
+24dB (default) - Max Input Level Before Clip: +24dB

Main features -
-24-bit, 96 kHz eight-channel line-level analog input card
-25-pin D-sub connector
-Individual Gain Switches per Input Channel:
-+18dB - Max Input Level Before Clip: +18dB
-+24dB (default) - Max Input Level Before Clip: +24dB

Interface card for 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000, 02R96 as well as Yamaha digital mixers, the MY8TD has eight TDIF digital format I/O (25-pin D-Sub connector).

Interface card for 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000 and 02R96 as well as the latest Yamaha digital desks. The Yamaha MY8AT card comes with eight ADAT digital format I/O (optical connectors). Interface products with mini-YGDAI card slots to products with ADAT digital format